[vc_row][vc_column][vc_column_text css=”.vc_custom_1591737708936{border-top-width: 3px !important;border-right-width: 3px !important;border-bottom-width: 3px !important;border-left-width: 3px !important;padding-top: 3px !important;padding-right: 3px !important;padding-bottom: 3px !important;padding-left: 3px !important;border-left-color: #dd3333 !important;border-left-style: solid !important;border-right-color: #dd3333 !important;border-right-style: solid !important;border-top-color: #dd3333 !important;border-top-style: solid !important;border-bottom-color: #dd3333 !important;border-bottom-style: solid !important;}”]

20-21-22-23 july 2020

PAOLO VERGARI
Professor at the “F. Torrefranca ” Conservatory of Vibo Valentia

PIANO MASTERCLASS 
Free program with insights and analysis of the historical interpretations of L. V. Beethoven’s piano repertoire (Sonatas and Concerts)..
+
SEMINAR: Olivier Messiaen Vingt Regards sur L’Enfant-Jésus

A “look” on the piano repertoire of the last century, mediated
from the monumental piano work of O. Messiaen composed in 1943

 

 

 

SUSANNA BERTUCCIOLI

Solo harp of the Maggio Musicale Fiorentino Orchestra and harp Professor at the Music School of Fiesole

HARP MASTERCLASS

Free program

+

SEMINAR interclass on the repertoire for Flute and Harp, Mozart Concerto in C Major K299.

 

 

 

DANTE MILOZZI
1st Flute Rai National Symphony Orchestra  

MARIA FABIANI
Professor at “G.Rossini”of Pesaro

FLUTE AND PICCOLO MASTERCLASS
+

SEMINAR  interclass on the repertoire for Flute and Harp, Mozart Concerto in C Major K299.

 

 

 [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1584951527470{border-top-width: 3px !important;border-right-width: 3px !important;border-bottom-width: 3px !important;border-left-width: 3px !important;padding-top: 3px !important;padding-right: 3px !important;padding-bottom: 3px !important;padding-left: 3px !important;border-left-color: #dd3333 !important;border-left-style: solid !important;border-right-color: #dd3333 !important;border-right-style: solid !important;border-top-color: #dd3333 !important;border-top-style: solid !important;border-bottom-color: #dd3333 !important;border-bottom-style: solid !important;}”]

24-25-26 july 2020

MARCO SALVATORI
1st Oboe – Maggio Musicale Fiorentino Orchestra

OBOE MASTERCLASS
The Masterclass aims, through the study of the most representative oboe concerts and the most important “solo” concerts of the lyric-symphonic repertoire, to make young students and graduates approaching the world of work more aware of the difficulties that arise at the moment of the public performance and in the competition tests, starting to provide them with the necessary tools to face them in the most professional and serene way possible.
+
SEMINAR: reed construction and instrument maintenance
+
CHAMBER MUSIC for ENSEMBLES of WINDS – WINDS and STRINGS – WINDS and PIANO

 

RICCARDO CROCILLA

1st CLARINET – Maggio Musicale Fiorentino Orchestra

CLARINET MASTERCLASS 

Free program. Study of the orchestral repertoire and preparation for auditions for orchestra. For those interested, the interpretative practice of Klezmer music can be discussed

 

 

 

 

 

ALEJANDRA ROJAS GARCIA
1st BASSOON – Maggio Musicale Fiorentino Orchestra
BASSOON MASTERCLAS
Free program. Instrumental technique and performance of the orchestral repertoire and preparation for auditions and competitions

 

 

 

 

 

 

PAOLO VALERIANI

2nd HORN – RAI National Symphony Orchestra
Professor of the Horn class at the “G. Ghedini” Conservatory of Music in Cuneo

HORN MASTERCLASS

Instrumental technique and study of concerts and orchestral passages with a particular focus on the winning approach for auditions and competitions through self-control meditative techniques.

 

 

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1585060908119{border-top-width: 3px !important;border-right-width: 3px !important;border-bottom-width: 3px !important;border-left-width: 3px !important;padding-top: 3px !important;padding-right: 3px !important;padding-bottom: 3px !important;padding-left: 3px !important;border-left-color: #dd3333 !important;border-left-style: solid !important;border-right-color: #dd3333 !important;border-right-style: solid !important;border-top-color: #dd3333 !important;border-top-style: solid !important;border-bottom-color: #dd3333 !important;border-bottom-style: solid !important;}”]

17-18-19-20-21-22-23 august 2020

RASUMOWSKY QUARTETT BERN – string quartet in residence
CHAMBER MUSIC MASTERCLASS

Violin : Dora Bratchkova, Andrea Saxer Keller
Viola : Gerhard Müller
Cello: Alina Kudelevic

+ FEDELE ANTONICELLI pianist in residence

+ BORIS NEDIALKOV cellist in residence

<<Chamber music is a magnificent “educator”, the most effective for the training of a serious and responsible musician. That’s why we complete our instrumental improvement courses with chamber music activities as a support for the musical and character growth of young people>> Rasumowsky Quartett Bern
Founded in 2001, the Rasumowsky quartett feels in several ways close to Prince Andrej Kirilovitch Rasumowsky, the Russian ambassador in Vienna, friend of Beethoven, at the same time admirer and patron of the genre of string quartets, of which it chose to take the name. Rasumowsky-Quartett has its roots in the Russian string school and considers the literature of Viennese classicism, in historically informed performance practice, as its basic repertoire. Furthermore, the ensemble places particular emphasis on Russian quartet literature, new discoveries, contemporary Swiss music and interdisciplinary programs.
Today, based in Bern, Rasumowsky-Quartett has attracted international attention with the complete recording of all fifteen quartets of Dmitri Shostakovich (OehmsClassics label), on the occasion of the 100th birthday of the composer in 2006. Maxim Shostakovich himself being one of the most important performers of his father’s work, regarded the interpretation as “one of the best recordings of his father’s work whatsoever.”
The magazine “Der Spiegel” writes that because of the “incredible tempos and the stupefying ensemble playing” it is the “anniversary event”.
In 2016 Rasumowsky-Quartett released the first complete recording of the four quartets of the Swiss romantic Friedrich Theodor Fröhlich (cpo label), rediscovered after a long research work.

 

DORA BRATCHKOVA                           ANDREA SAXER KELLER

Dora Bratchkova is Professor at the University of Music and Performing Arts Mannheim, First violin in Rasumowsky Quartett Bern and Concertmaster of the Deutsche Radio Philharmonie Saarbrücken Kaiserslautern.

Andrea Saxer Keller studied at the Menuhin International Academy of Music with Alberto Lysy and Yehudi Menuhin, where she completed her studies with a solo diploma. As a member of the Camerata Lysy Chamber Orchestra, she has given concerts in western, eastern Europe and South America.

VIOLIN MASTERCLASS & CHAMBER MUSIC
Free program.

 

 

 


GERHARD MüLLER

violist in various German orchestras, member of the Deutschen Haendel-Solisten, is Director of the Musikschule Konservatorium in Bern.

VIOLA MASTERCLASS & CHAMBER MUSIC
Free program.

 

 

 

 

 

 

ALINA KUDELEVIC

Solo cellist in Sinfonieorchester Zurich and in Rasumowsky Quartett Bern. Graduated with distinction from the Moscow Tchaikovsky Conservatory before completing her studies with Martin Ostertag in Karlsruhe. For several years she worked in prestigious Orchestras (among others, DSO Berlin, Bochum Symphoniker, Solo cellist in Staatsorchester Rheinische Philharmonie).

CELLO MASTERCLASS & CHAMBER MUSIC
Free program.

 

 

 

FEDELE ANTONICELLI 

Professor of piano and chamber music at the Staedtische Musikschule Giengen (Baden-Württemberg) and professor for piano and accompaniment at the University of Music in Saarbrücken.
PIANO MASTERCLASS

Physiology of piano interpretation. Piano solo, 4 hands, chamber music.

+

SEMINAR piano technique – addressed to young pianists and piano teachers.

 

 


BORIS NEDIALKOV

He is a former soloist of the Mannheimer Philharmoniker 2010 – 2015 and a member of the Münchner Rundfunkorchester 2018. Since 2019 he is a member of the Statskapelle Dresden

Cello in residence for CHAMBER MUSIC MASTERCLASS

 

 

 

 

 

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1585060874221{border-top-width: 3px !important;border-right-width: 3px !important;border-bottom-width: 3px !important;border-left-width: 3px !important;padding-top: 3px !important;padding-right: 3px !important;padding-bottom: 3px !important;padding-left: 3px !important;border-left-color: #dd3333 !important;border-left-style: solid !important;border-right-color: #dd3333 !important;border-right-style: solid !important;border-top-color: #dd3333 !important;border-top-style: solid !important;border-bottom-color: #dd3333 !important;border-bottom-style: solid !important;}”]

24-25-26-27-28-29-30 august 2020

 

MARCO RAPATTONI

Professor of Piano and Repertoire and modern and contemporary piano practice at the “G. Verdi ”in Milano

PIANO MASTERCLASS 
Free program. Piano technique and repertoire.

 

 

 

 

 

DANILO FORMAGGIA

Tenor with a brilliant international career in the main theaters, engaged in different types of repertoire.

MASTERCLASS: USE of VOICE in OPERA SINGING

The course aims to stimulate the participants, also through the sharing of experiences (both individual and of the teacher), to activate a path of awareness on their own voice, the possibility of managing it and how to develop it, also in the different repertoires. The main objective is to identify and adequately use one’s own tools to manage and develop one’s voice.

+

SEMINAR: “THE VOICE IS NOT ENOUGH …” – – Analysis of the elements necessary for the artistic career. Listening guide: how sound taste changes. Attitude and discipline in singing.

 

 

MARI MIURA

 

MASTERCLASS: USE of VOICE in OPERA SINGING with DANILO FORMAGGIA

Accompanying pianist: MARI MIURA

 

 

 

 

[/vc_column_text][/vc_column][/vc_row]